Monday, May 30, 2005

Off the Radar

Dearest LivePoets . . . Once again I find that I have manifested my incredible talent for the mismanagement of time. I am going to Utah for a couple of weeks to spend some time with my mother and abruptly I find, it is suddenly time to go. I’ll be leaving Wednesday morning. I have a list of ‘things-to-do’ that is so long, I don’t think there is anyway to do them all before Wednesday morning. I am hoping to take a lap-top with me so that I can at least check into the Blog’s on a limited basis, but the jury is still out on whether or not I’m going to get away with it. If not, it will be mid-June before I am back on line. I know everyone will keep posting and that I will find a wealth of beautiful words when I return. The question is, will I have severe, unmanageable withdrawal symptoms? I suspect the jury is still out on that as well! Blessings to you all. ~ Winnie

Another Pain

There are frequent references to pain
and anguish, anxiety and perhaps fear.
Whether these are more companioned in a poet
is hard to say -- or by saying,
a willingness to share
what is of everyman.

Here is a slightly different view ...

PLANE

Take me there -
A request born of love? Jealousy? Curiosity? Insanity?

It is said the balance of self extends across a fulcrum of uncertainty,
and teeters up into exaltation - down into shadows of despair.

Such is a false design and perception -
The pendulum swings from far out to deep within,

and close resembles the prayerful search
for understanding of will and self
to which all men aspire.
But the swing does not mark a steady beat,

or stretch of time, or centered pulse.
No - often the ends remain
,
and it is the center that swings instead.

Consider a runway

lit from the sides by the harsh lights of a thousand vehicles;
each containing a stranger
whose visage cannot be perceived behind the blinding glare --
each shouting for attention lost in a wash of shrieking pain.
To be driven to walk
that path with fear that a plane may land at any minute!
Then the end is reached in marsh, or sea, or rocky shoal.

The return!

The lights are out and one must grope along in the dark.
The faces cannot be seen but the shadowy forms sit silent
-- giving no support. Is the demand no less?

Take a pill -- get some help -- it will go away.

Now to crawl that same demanded run.

The lights cannot be seen, for sure,
as one's face is now directed to the ground
where the horizon cannot be seen
but minute pebbles, worms and weeds are ever present.
Pick up the litter one by one --
stones and sticks and human trash placed into your rucksack.
Crawl on while helpful voices tell that all is better now.
Wait until that sack is so full
that it breaks your back and pushes your face into the mud.

Find a way to empty the sack

so that the journey can start again.
Crawl -- crawl on while love is lost
because you cannot hold up your head enough to see.
Remember the lights -- the dark.
Remember that when the plane arrives
you will be destroyed whether up or down --
you cannot run away!

At least when striding tall you were a man!


faucon

The Bristlecone

I am alone, barely standing,
on this cold
and wintry mountainside.

My comrades,
they are mostly gone now.
Their skeletons scattered,
bleached white, disintegrating
on the frozen ground.
My life is short now,
my future dim.
Can I withstand
another year
of winters such as this?

Long ago,
when I was just a sprout,
a tiny seedling,
I was slow to grow,
but resilient.
My cones were full of seeds.
I was just one of a few,
spaced wide apart,
an open forest on the heights.
Life was harsh
at ten-thousand feet
or more,
but we thrived
from one year to another.

Bears came to visit,
nuthatches and squirrels, too.
I heard the cry of eagles.
Years passed, then centuries,
some were good, some bad.
Rain was sometimes scarce,
the snow pack thin.
I couldn't grow much,
but I built a narrow ring.
Humans came.
They picked my purple cones,
gathered up my needles,
stole bits of me for souvenirs.
They probed my heart
for specimens to study in the lab.

For centuries,
we had the mountain to ourselves.
We survived,
but now I am alone,
having outlived all the others.
My trunk is twisted,
there's very little green.
My needles are small and weak.
My cones, what there are of them
are scattered in the wind.
These old roots cannot
hold me upright for much longer.
Soon my sun bleached carcass
will lie upon the frozen ground.

But, my energy,
my nutrients, will feed the soil.
Someday, some tiny part of me
will become a seedling,
a sprig of green
and I will survive again
to survey my world
from this lofty mountain-side.

Feel not sorry for me
or kick my bleached bones aside.
I am not a beauty;
a Sequoia or a Redwood,
but I am unique, resilient,
I am a hardy Bristlecone.

Vi
©May 30, 2005

Sunday, May 29, 2005


Pink Mermaid Delirium Dream - from a comment on Vi's "Fevered Visions"

Pain in the Words

Pain in the words
Bounced off the page
Smacked me in the face
Much too much later

It’s not too late
It’s not too late
It’s not too late
It’s not too late

But what if it is?
….Then it is…..

You kept saying
“If this is all there is,
Is it enough?”

And you foolishly said
Yes… though now
It doesn’t feel like it is
It feels like I want more

Pain in the words
Bounced off the page
Smacked me in the face
Much too much later

Fevered Visions

I see in the stupor of my fever,
through burning bloodshot eyes,
a skull with ears and dancing legs
dressed in a skirt of leaves and pointed shoes.
It dances there outside my window,
this thing I cannot recognize.
Now on the shoulders of another
with a long and pointed snout.
Dancing demons reaching for me
while my fever rages.
I sleep in fearful fitful moments,
afraid to close my eyes
as the skull with ears
keeps dancing outside my window--
until the sun goes down
and the bougainvillea no longer casts its shadow
upon the wall--
until it no longer dances in the breeze.

Vi
©May 29, 2005

Promted posting

This is not 'gleaned', but its posting is certainly 'prompted'
by Winnie's 'Storm' poem today. Perhaps such things should be
posted on another Blog such that each retains a sort of
priviledged indentity. Certainly I would prefer that CF
be restricted to 'braided' poems based on a previous 'thread.

This is prose and written eight years ago -- and never shared,
even with siblings who would not understand
some of my feelings for my previous wife
of 36 years -- now a dear friend
as in the beginning
and cherished
by m'lady Em.

Where to post?? move as thee will

THE RAIN ALONE


The most profound smell in all the world is that of fertile soil welcoming the rain! Here on the high plateau I know it can signal instant birth, with each drop of the meager 7 inch per year offering treasured and utilized. I recall as a child seeing flowers bloom in a matter of hours after having lain dormant for many years. With the new aroma arising from the earth the fragrance of the sage- brush, pine, and squaw-carpet seem intensified. Oh, hear the thunder roll and grumble. There! A finger of lightning feeling its way to earth, branching, searching. One thousand-one, one thousand-two, one thousand three ... Wow, that was close. Maybe it's not so safe here under the cedars.
I remember our excitement when we found this grove eleven years ago. How did they get here? There is not another cedar within a hundred miles; only here in the shelter of one small canyon, protecting a tiny spring. Today they hide me from the rain, the interlocking branches forming a natural thatch. The peaceful incense from the towering ruddy trunks is masked by the gentle breeze and intrusive scents from the outside world. Our special world. I can almost see you there lying in the grass. Those memories I always carry with me. How we held together, after, and watched the clouds form in the high reaching cold layers above. Perhaps if we had returned here more often ...
I wish I could tell you of the quotations I heard from the life of Mother Teresa.”
“Love is not a feeling; it is a way of acting toward another.”
“Let each who come to you leave with greater happiness and a sense of well being; they will know it in your smile, your stance, and in your eyes.”
“So simple,” I muse. “Remember our most successful business where each employee was instructed ‘insure that every customer leaves happier than when they came in.’ Why should it be any different in normal life? Why do we work so hard to make things difficult, and in the process hurt those we cherish the most? Why can’t we just stand in the rain and wash all of our pains away, down, down to the oceans of our birth? Could a new flower then burst forth in our hearts every day? Would I have the courage to make a gift of the blossom to you each morning, or perhaps evening as the heavens bless us with a stained glass view of our earthly bond? Probably no sunset tonight! Only mist, and perhaps the full moon allowed to peep through the clouds, watching me. The time should be right for an amazing sight with the dawn, the sun fully visible in the East with the moon still round and bright in the West. I shall climb the mountain early to watch. Oh yes, always the mountain to climb! It never stops. Life will cease if I don’t keep climbing.
There! The last of the stones is in place and the dam restored. I hear your laughter, just like the first time I tried to capture the tiny pool. The stream from the spring was barely visible through the grass, scarcely an inch across, but certainly a desert miracle. Sadness, as always, that the rivulet disappears again only five yards down the slope. So short and ephemeral, just like our lives. Yet in its brief passage does it not provide life for these towering trees, fern, and even the pea-sized frogs playing in the moss? But without the pool I couldn’t see the ripples swell out from each slow drop of life oozing from the rocky cleft. We rebuilt that dam many times over the years, pebble by pebble. Red, yellow and quartz white. You found most of the right stones and I placed them gently in position. Was that the right balance? We both knew that the dam would slowly fall apart without our care, but it didn’t detract from the joy, and necessity, of protecting the pool.
There! The basin is almost full once again. Your glistening pebbles carry a memory, each by each, and the stream breaching the top tinkles almost silently towards its fate in the rocks below. Where is your laughter?
Strange, I found myself just now reaching back so that you could press another pebble into my palm. Oh, would that the pulsing, ebbing waves from the shimmering pool spread out into the world and find you, touch you; wash away your fears.
Think of it. The rare rains on the peaks above will trickle ever so slowly through the cleansing sands and rock to this spot. Years perhaps. Hiding? Waiting? What clock determines when the tiny, pure drops will weep from the earth? Is this spot just for us? Is it part of some great plan that we, now I, preserve this spot? I have accomplished so much, had an effect on so many. Yet, it is the joyful knowledge that someday another may find this spot, and pick up the work of rebuilding the pool, that stirs my heart. Who said, ‘we all have a purpose in life, if only to serve as a bad example?’ At least here, together, we did better.
How long have I been here? Alone! Yes, but not lonely! Such a difference. But enough of this sheltered spot. The mountains call. Climb - climb.
No! Not today! Today I am going to dance in the rain.


Storm Above the Siskiyous

Saturday, May 28, 2005

STORM

Thunderheads, building flat black mesas in a sky
Not yet gone from blue
Kachina whirls bleed and breathe down
Ropes of west wind weaving songs of
Earth

Green of pine and green of maple
Green of cottonwood and Aspen turning,
Green of leaves of olive and emerald stop
Suddenly suspended without breath
Earth’s air grown still and soundless
A strange swimming amber, quivering under
Sky

From a blueblack bruised horizon
The southern sky swells across the heavens
Pregnant with potential of pitch-black pearls of rain
A silvered skeleton shocks the shadowed summer sky
Bare winter tree of incandescent light
Energy explodes it’s instant searing branches
Galvanizing
Earth
to
Sky

A hush on the lioncolored hills
Breathless the mountains of jade
All moisture could be swallowed
In a fickle lick of wind
Followed by a phantom too familiar . . .
The scent of smoke . . .
But today the capricious summer symmetry
Splits the sky
And sudden silver sheets of blessings pour
Singing, bringing
Sky to
Earth

Bends the leaves and beats the ground
Tattoo drumming calling water spirits home
Drinks the thirsty ground quick sated
Pooling, puddling, splashing, splattering
Shafts of sunshine carve
The blackened clouds to shreds
Turning air to shivering crystal
And color spills like wealth across the sky
With wings of gold, here Iris dances
To bless this sacred land once more
From Cascade to Siskiyou, Siskiyou to Cascade
Tthe bright bridge bends
Uniting
Earth and Sky


©Edwina Peterson Cross

About "Gleaners"

Hello LivePoets . . . just a note to let you know about something interesting that was generated by the birth of Cherita Fitzgerald. One of the members of the Soul Food community was interested in the idea of Cherita Fizt, but was unsure about ‘poetry.’ She said she would like to be able to take a line from any of the Soul Food Blog’s and write about that idea - using prose as well as poetry. And so “Gleaners” was born. I suggested locating “Gleaners” at the Alluvial Mine Blog because that Blog had been inactive for awhile. There are some “Gleanings” at the Alluvial Mine already, a couple of them mine, one poetry, one prose. When a line is “Gleaned” it is always fully credited to the author, listing which Blog it came from, the date and, of course, the authors name. There is a “Gleaning” that came from LivePoets on the Alluvial Mine already (the poem is Rudwulf’s and the seed line is: "We interrupt your regularly scheduled day to report the mackerel sky. . ." with the citation: Ruhdwulf at Live Poets, 4/26/05.) The Alluvial Mine can be found here: http://alluvialmining.blogspot.com/

If anyone has a problem with this concept, please let me know. It seems to me nothing but a compliment to an author’s wordsmithing and just another avenue toward the birthing of language and the cooperative creative process. However, they are your words, and if there is any hesitation about it, please let me know.

~ Winnie

Friday, May 27, 2005

Can't do Quest

I have a number of ballads named 'Quest'
in one way or another, that pale in comparison
with Ruhdwolf's fine poem ...

So here is one that is sort of an "Un-quest"
The unusual abbca rhyme scheme is ancient Tracian,
while the 'rhythm' is more like 'Parzival'. The intertwined double verse
is 13th century Trevere' style.

The Gauntlet

His form was bent and crippled, with a face that torture told;
but his Falchion sword had a Toledo edge, with buckler shield to hold.

The massive hall seemed hewn from the cliff, stone by massive block.
It stood alone at the crossroads of life,
calling to those knights of suffer and strife,
a safe haven for all, weak and the strong.
Such was the fortress named Ravennoch.

The vaulting arch was carved with deep care, in language four by four.
"Enter here only knights, weapons by the door."
He entered there and cast upon the floor
a mailed gauntlet that called to shame
the ancient sad boast that castle forswore.

The liveried guard was giant of form, with spike hauberk set to bar,
But he tumbled to sprawl upon the cold floor, with crash that carried far.

The gathered knights rose with a mighty shout, grasping for missing blade.
"By what right do you defile this pledge,"
cried a Templar priest of historic age?
They surged forth to be sure challenged
by flashing dance the spinning sword made.

"I was here when these golden stones were set, before your father's birth."
'Hearken unto me with weapons at rest,'
were the words we carved above the crest.
With passage of years your presence defiles
this most hallowed home upon the earth."

They slowly drew back in confused awe, shaken to their very core,
for the knight prancing there was of legend,
stories told by fire when the day did end.
No one knew his true name or favor claim,
but by bronzed rondels on chest he wore.

"I'm passing by from distant land, that of shallow youth's fame,
On to the place where 'was' and 'what will be', are found to be the same."

"I am the squire of the morning mist, herald of each birthing day.
I am the champion of daily hour's command,
from chivalry's call for helping strong hand.
Hearken to me poor excuse for a man
Who huddles here 'neith that craven display.

Only once in this life will your heart be touched, gleaming honor brought to bear,
when a maiden's silk scarf burns in your hand,
launched on brave quest set by fire's brand.
Only once in a knight's life will heaven call.
Yet you stand without blade, holding only fear.

Forbearance, not carved demand, that excludes the spirit bold,
and imprisons the will with devil chain,
can surely replace surrender's pain.
Stand up one and all and reclaim your pride
and quick remove those words the arch does hold."

He stood there firm in warrior pride, driven by right's own claim,
while those haunting words of yesteryear's call, erased the chiseled shame.


"Yes, I am on the path to most certain death, n'er to pass this way again.
I am the monk seeking peace in Mother Earth
where setting red sun will measure my worth.
But do not fear for God's claim on my soul,
for each day grants new life devoid of pain.

I will bring in the day to squire your birth, gentle gird your loins in mail,
And cap your brow with helm of pure delight,
and grant curved shield of Aegis' might.
Claim your sword my friend and never cry yield
for I will be watching, will never fail.

Where what 'was' joins 'what will be', there is proud eternal braid
that in our evening's death there will cycle new life, to conquer unafraid."

"Hearken unto to me with weapons at rest."



faucon

The Quest

Undefined in The Dictionary of Seeing,
no listing in the Soul Encyclopedia,
not covered in The Idiot's Guide to the Unfathomable
nor in The Book of Raveling and Unraveling,
not taught at the University of The Void
or at the College of Butterflies,
no entry in The Unknowing Manual,
never mentioned in the ancient texts
of the U'alu Sesto, Mountains And Valleys of the Eternal Journey,
called the Prang Pr'th Xor,
not found in the online Help Guide,
not approved for your level of service
from the 24-hour HelpLine,
never mentioned by your parents,
not summoned from the Ancestors,
not channeled from the seventh priestess
at the Temple of Isis at Corfu,
inaccessible at this time,
the File of Forgetting not found,
an error has occured,
please stand by,
or try again later,
or restart your day or your life,
try unplugging for seven days,
refill the reservoir,
thump once,
give it a glass of water,
sing to it,
set it outside,
clean with a soft cloth,
carefully clear the jam,
make sure the access door is fully closed,
consult your doctor or pharmacist
or shaman or the person
dressed in sky blue,
await further instruction.

Thursday, May 26, 2005

Oh, Quill of Mine

Oh, quill of mine,
How do you profess to know
Of what I think,
Of what I feel,
Of what is in my heart?

You take my thoughts
And display them
For all to see,
For all to know
My pain.

You share emotions
Best left
In the silent darkness of my soul
Then, broadcast them
For everyone to see.

Oh, quill of mine,
How dare you
Take my privacy
And flaunt it
With those who know me not at all.

You strip bare my soul,
Shred my heart
Into a thousand pieces
Then, toss them outward
To the winds of fate.

Oh, quill of mine,
Tell me why
You have the need
To probe my mind,
To destroy me.

Oh, quill of mine,
I beg you,
Let me stay behind this wall
Of comfort
And of safety.

Oh, quill of mine,
Be still.
Keep your counsel to yourself.
Move on.
Leave me alone
In the darkness of my being.

Vi
©May 26, 2005

Green Things

Sometimes I envy poets who seem to have a 'STYLE'. Faucon, May, Winnie and Ruhdwolf - I already recognise your voice as your own, before I know who has posted.
For a while I immitated other poets- fishing around for an authentic voice. I did e.e.cummings, a truly awful Sylvia Plath, a hazy kind of Margaret Atwood. Here are a few of my different voices. Perhaps all of them are masks, but I would be interested to know how they appear in the world.


FOR SAMANTHA

In the midst of green
and smoke and furl
we fall away from chip and push
we droop and lap and limbs uncurl
in the midst of winding wild and bush

Amongst ourselves
in sap we seep
through rustle and shush
while the willows weep
we'll not be blown from
our hallowed sleep
for the slender sighs are ours,
the slender sighs are ours.

Winking our eyes at the pale slipish sun
our damp and dusk-drunken pores will bloom
under quivering thicket, beneath querellous moon
a drop of the glimmering soon we'll become
a drop of the glimmering soon.


NASTY PASTY

Do you think I'm a monument of grief?
Is my poor heart cold as stone?
Have I shed all my tears
night after night since you
left me alone?

Are my hands exhausted from wringing?
Have I sobbed and cursed,
are my eyes still stinging?

Will I ever have hope?
Will I ever be free?

Darling,
you're already poetry.


FOR LACAN

outside/inside
across the mirror of your eyes
i slide

outside/inside
two separate images of 'I' collide

and slow you close the point at which
my selves divide

open...shut
and in a dark sweet place
we compromise

Of desert and tree

My sister in Reno, NV had a small restaurant effecting Southwestern cooking called the Manzanita Cafe. I wrote this for her menu backpage.

MANZANITA MYTH


Before there was a moon to glow in the sky,
before creatures walked upright upon the earth,
there was the manzanita.
Black and ominous clouds roiled
continuously close to the ground
and many plants thought a while
and vanished from the high desert slopes.
There still was the manzanita!
It was silver then,
with wispy leaves of faint yellow,
and shallow roots that were easily pulled free.
The bush rolled and tumbled in the ceaseless winds
that laughingly kicked it about.
It was a plaything of the evening spirits.
But it survived.

There came a time when the great Taqawito
became displeased with the state of the earth.
He reshaped it by drawing away a great ball of rock,
and the whole earth trembled.
He tossed it away unto the sky
and watched the water rush into the crevasse,
and with it,
all of the creatures and plants that had come to bore Him.
At the rim of the great basin the waves crashed
and grasped at all the plants and drug them to the sea.
Only the free root manzanita escaped the wrath
and was laughingly ignored by the destruction.
The Taqawito began again
to built the earth and place upon it animals and fish,
and many beautiful plants, and birds high in the sky.
Seeing all this beauty
the tiny, lonely manzanita cried,
“No! Enough!”

It seized upon the jagged rocks
and claimed a place for itself in the new land.
The sun beat relentlessly down upon its silver skin
since there was not yet any clouds in the heavens.
Its fragile bark turned a rusty brown
that hardened against the wind.
Its tender leaves hardened also,
but absorbed the life giving rays at its own choosing;
bright green on the top if the weather was harsh,
a hint of silver on the underside to draw in the morning dew.
Stark. Aloof.
There was the manzanita.

It came to be
that all plants and creatures had to learn
that there was a time to wander free
and enjoy the pleasure of the gods.
There is a time to stand firm against adversity -
or vanish from the earth.
There will come a time to say,
“I care not what you think,
care not how you see me,
care not if you ever travel to the high desert
to share my silhouette
against the coldly sparkling milky way. I am...”
“I am the manzanita!”
faucon


Star Rise Over the Superstitions


Dancing in the Light

If I Were a Spirit . . .

“They say that candles attract the spirits so when I light them at night on our patio, I invite all, seen and unseen, to join me in the light.” (Vi Jones)

If I were a spirit
Drawn like a dream
From the star-scattered sky
Where the dark Superstitions
Turn back time . . .

If I were the marrow of myth and magic
Spun in the deep chambered heart
Of the giant Saguaro . . .

If I were the earth echoed essence
Of red desert wind
Yearned through a coyotes throat . . .

If I were a spirit . . .

I would be drawn to your fire
And finding there such giving grace
She wisdom, such love
I would stay
And dance forever
In your light


Edwina Peterson Cross
May 26, 2005
(For Vi )

Wednesday, May 25, 2005

Skert of Fitz'in??

To show those who have not yet joined
Cherita Fitzgerald (so that this site can return to normal),
don't be 'skert' -- any 55 words will do.

To remove any doubt -- I wrote this last year for a friend who actaully sang it!

OOSHA DA
(rain leaf song)

tip tip tip-it-ip tip tip bruuurt
shoo oosh oosha da hulti na na
tip tip tip-it-ip tip tip bruuurt

shoo oosh oosha da hulti na na
bort bort cuinnit it buu uut na
tip tip tip-it-ip tip tip bruuurt

bort oosh nit nit da hulti buu na
hulti buu bort bort -- na tip oosha da

Origins

Oudwalla origin
origami folds
of earth and light.
Osage.
Ozark plateau.
Enfold, entreat, entry.
Escaparpment
over blue spring water.
Exclamation.
Punctuate dawn
with fog,
phantom horse tails
flicking the first sun
from the back
of mountains grown smaller,
swallowing their own mystery
with a sinkhole.
Susserating oak,
hickory, ash, walnut,
tulip, river willow,
honey locust, black locust...
summer speaking
in tongues of waiting.

Please Join the Revelry at Cherita Fitzgerald!

Dear LivePoets,

You will soon all be receiving invitations to join a new Blog that I have wistfully named ‘Cherita Fitzgerald.’ It is a site for poetic extrapolation, cooperatively braiding of various poetic forms, working together to create layered verse and compose reflective poetry.

The new Blog is also under the umbrella of The Soul Food Café. I want to make it very clear that Cherita Fitzgerald is in addition to, not taking the place of LivePoets. I hope that our output here continues to be as full of both quantity and obvious quality as it has always been. We will certainly still see poetic forms here, in fact I will not discourage cross posting in anyway and we may bring pieces from one Blog to the other.

Of course Cherita Fitzgerald is just the catchy name that I choose to call this Blog, what we do there certainly need not be restricted to these two forms. Poetic forms are practically endless and many of them lend themselves to partnering and cooperative poetic blending and reflecting. Renga, Sijo, Tanka and Hakiu are a few other forms that spring to mind. And Tan Renga! Which, like our friend Cherita Fitzgerald is a combination of forms . . . looking like a tanka and working like a renga. Then there is the Marquisette which Mrs. Marsh may have invented. (The final word hasn't come in on the name yet!) And the Marquisette Fitzgerald . . . the vistas are endless!

I hope you will all take the plunge and join Cherita Fitzgerald and give it a try. If you are new to poetic forms, please do not let this stop you. They are easy to learn and often very easy to use. Several of us have recently discussed the fact that, though it seems strange, working within a poetic form often makes writing poetry easier. It can act as a laser and bring your focus to a point where the words flow in a way they otherwise wouldn’t. There is also something really lovely about the blending of words, thoughts, minds and spirits that this brings about. As writers, we often talk to each other about writing; we read each others writing, but this experiment of extrapolation, braiding and reflection takes working with other writers a step further into something really fascinating and new.

I will quote faucon of Sakin'el (since I have already done so all over the new Blog!) These blended forms bring “a golden braid of mind, soul and spirit endlessly folding back upon itself to reflect new images of poet and EveryLight”.

Everyone please join the revelry at Cherita Fitzgerald! Heather and I are already there, waiting for fun. All you have to do is hit "accept" when the invitation comes.

~ Winnie

Tuesday, May 24, 2005

Tree and Me

I often write lyric prose, not considered poetry by most,
but enjoyable for all of that. This is an oft requested piece
at Bardic Circles.

faucon
......................................

STAFF and TREE

Grasp a solid staff in hand and marvel at the strength that it draws up from the earth! Walk in a silent wood and hear only the measured thump as the shaft guides your way. Nature is strong in the blood and even a swordless knave can feel kinship with a knight and lord. There is not a man who does not feel a stirring of the heart at the hint of the first Spring blossoms taking a risky glimpse at a New World. Is it a kinship with a sense of awe lost with innocence long ago? Some primordial yearning for a time when work was more directly connected with hands, and dirt and wood? Is there Viking in your past, or Frankish soldier or Norman warlord? Or is it that we have a special link to the trees, one that we need not understand. Hold close thy staff and sing with me.

Religion, sorcerers and bards draw from trees in symbol and in purpose; a carved figure on a spear, an olive branch or a structured tree on a barren hill. Others draw strength from the connected roots and life giving elements from earth to heaven. Whether there is truth in none of these, or in all, explore for yourself. Hug a tree! Embrace the texture, vibrancy, scent and strength. You will discover that this simple act will allow you to hug another person more profoundly. Hold close thy staff - it is a tree!

As we travel the way of a knight or other personal growth and internal peace, we tend to forget the lessons of the trees. When confronted with a life branch before us, a choice of commitment, integrity or purpose; we choose a path and then spend all of our time justifying that decision. Each day brings us new choices, and each year a chance for renewal. Our life decisions may need pruning or grafting. The very soil in which we have planted our roots may have to be tilled, nurtured or the field abandoned. Each branch and fork in every tree provides the key to all tranquillity. Time proceeds one addition in a measured step, each segment in exact mathematical proportion to the one from the proceeding year. All of mans’ attempts to control his environment and stand up to forces of God and Nature cannot forestall this imperative.

Sheath thy great sword and take up this staff - this branch. The tiny twigs swirling in the ripples of a pool are but a minuscule tree branching into the depths of myth and outward to the mysteries of the heavens. If you view this covenant as an oppression of your spirit - it will destroy you! If you view the gift of free will as an obligation or requirement to be restrained by choices - you will never be at peace. If you can live each day in gratitude that a choice was possible, and pass the branch like a baton to another, then you will embrace compassion and fellowship with the essence of man. Walk with a staff and you walk with me.



Fitzgerald for the Jardine Juniper

1850 vertical feet
Just to look at a tree
Ten miles, round trip
Again, again, I’ve climbed
From sage strewn valley bottom
To a ridgeline thick with fir, maple
And aspen shivering in the canyon wind
Clinging to the rocky hillside
The juniper is scourged by weather, truck twisted,
Ancient as thought and . . .
Still alive


This is the Jardine Juniper, 3,200 years old and still very much alive. Clinging to a rocky ledge in the Cache National Forest, above my home town of Logan, Utah.


Candles

Marquisette Reflection

Building on Winnie's tree theme,
I can try this form in homage ...
to the Bristlecone Pine and Mrs. Marsh

(I have pictures if anyone wishes them)

Bristling With Life

You can easily stretch back in form and time,
until your cap falls on the ground in awe and humility
before a redwood daring to caress the feet of heaven,
and stake its claim against fire and axe and strife
that each soul touched raises their arms in praise.

You may choose instead to hug a tree in twain
with primordial knowledge and pulse of Covenant;
and should forever embrace a sequoia by stretch of arms --
knowing that it will take many more in fellowship and reach
to understand the frailty of me, that must say 'we' in finality.

But for wisdom bound in simplicity and innocence,
seek instead the bristlecone's lonely silence.
Dare to ascend to 11,000 feet of pristine air
where no insects pervade nor animals scurry small
to tarry the ringed pace of 4,000 years and more.

Understand the power of this simple, forlorn, ugly tree.
It alone can choose to allow a part of self to die
to insure that a single branch will boldly survive
to flick a single tiny cone a inch or two beyond
its own withered, windblown shadowed memory.

So learn, my friend, though it take a year or two,
that the secret to eternal peace 'bristles' in simplicity --
let go of what is not important here and now;
keep ambition small yet perfect in design and purpose --
do what no one else can do -- be what no other can be.

faucon

Cherita of Light for a Dark White Night

I burn candles

Radiant, knifelike flames of spirit and heart
Flickering, dancing, with the breath of hope

Transformation, translation, testified in hot wax
Intention illuminated incarnate
Light glowing from within: prayers made manifest


©Edwina Peterson Cross

Marquisette

I’m posting this up as an entry, rather than a reply, to make sure it is found. This is faucon’s idea on a title for Mrs. Marsh’s poetic form. I am completely enamored of it as it is based on ‘Marsh’ and has it’s own meaning that fits so beautifully as well. A fine woven fabric. Indeed!

Mrs. Marsh - the final call is up to you! Shall we title your creation a Marquisette?

marquisette.

mar-qui-sette

noun
fine woven fabric: a fine woven fabric, often made of cotton or silk, that is used for making curtains and mosquito nets


REFLECTIONS - The Redwood and the Sequoia

Reflections

I love the ‘reflections’ that come back from these braided poetry forms. Like something seen in still water, they are an image changed, deepened, shimmering and enchanting. This is from faucon’s C.F. reflection of my Cherita Fitzgerald.

It also happens to be my first attempt at the new form called “Marsh.” Or do you prefer, “Echolalia”? I can’t quite get there. The word reminds me of the pipping repetition often done by autistic children, though I believe it happens with schizophrenia as well. It seems to have an element of ‘meaningless repetition’ to me, that makes me hesitate to want to use it to describe this interesting form. Until further notified . . . here is my first attempt at a Marsh.


The Redwood gazes into pools of memory
The Sequoia looks back
They have reflected together
Soaring serenely, nearly three thousand years
Only the bristlecone is older

Older than man’s momentary remembrance
Remembering Buddha
Remembering Christ
Remembering what Confucius said
Remembering eternities of luscious, liberated air

Air that now burns from a hole in the ozone
Sharp sting of acid in the once quenching rain
Hearing the whirring rumor of chain saws
Knowing the wielding thwack of an axe gone mad
Brief, senseless narcissists, who would end the dreaming

Dreaming deep, drinking earths eternal affirmation
Still they drop their seeds on winds of hope
Silently, sanguinely, awaiting three thousand more years
Dream on Redwood, gazing out into the river of time,
Dream on Sequoia, solid truth of the Breath of God


©Edwina Peterson Cross

Monday, May 23, 2005

In the silent hour, I miss you
I wonder what you have been doing
These past few months and feel sad
That I don’t know

I wonder how long the grieving will last
And wonder if my silence is foolish
And wonder if I am strong enough to
Try again

In the silent hour I know that I must
I must I must I must stay in my impulse
Witness the heartbeat, pulse of my art
Which means I sacrifice my love
For you

I wonder
No, I know
I know

Radiant Heated Fear

Radiant heated fear
Pulsates through blooded intestines
Pressing on my sphincter
Demanding I purge
Bloated intestinal tubes

Tubes pumping, pulsating
Razor edged emotions temporarily purged
Nervously anticipating another
Spontaneous panic filled attack
Triggered by relentless, stalking, circling fear

Fear of loss, of grief
Of utter helplessness in the face of
Chronic, debilitating pain
Fear that nothing will
Appease or palliate.

Palliate or appease the pain or
the rising bitter tasting vomit
Wedged in my throat
Unrelieved by sips of water.
Desperate I consider the gate of Mount of Purgatory

Purgatory no lofty island mountain
With indifferent angel keepers guarding the door
Demanding Prudence, Temperance, Fortitude, and Justice
Bowing my head in penitence
Will not change our fate.

Fated to stand on earth
Fated to bear witness to
a multitude of injustices meted out
By the hands of capricious
Mother Nature

Well I have tried Mrs Marsh!

Echolalia

Winnie, Faucon, Fran, Maya, and to all of you not yet met,

I loved the challenge of writing a Fitz. Sometimes perversly, I find that restrictions make the creative process easier- like the students in Pirsig's novel who found their voice only when their teacher restricted their composition to describing 'the third brick from the left on the municipal building'!
This is a poetic form without a name. I made it up. If you want to play, the rules are simple. Each stanza may be only five lines long. The first word of each stanza must be the last word of the previous. The first word of the fourth line of each stanza in mine is a verb, but I will leave that to your discretion. The form is fun, but this poem, which I wrote only a couple of months ago, is very sad.

POPPA

You waited 'til we'd gone
as I've heard the dying often do, and
somehow broke that habit-
breathing; the rythym worn
and whittled thin.

Thin-walled, your skin seemed
stretched beyond its means
on garish bones prematurely
jutting. I kissed your papery cheek
before we left.

Left alone, released from care
you fulfilled the contract made at birth
that said 'No more; no less'
Rattling disinfected air you settled
still at last.

Last time I saw you there
in echoed breath that filled the room-
hypnotic drag and push of air,
dying, I gazed on you
not quite a glimpse of death.

"Death" I knew the word
but I was ten and without fear.
What word could possibly convey the
breaking of that fragile sound,
your breath so dear.

Dear, you waited 'til we left
I did not hear the rattled pall.
Your breathing went on in my ear
whispering- a wetly laboured fall
without an end.

End we must, but I won't try
to find words to describe it- they don't exist.
No, not even now I'm grown and
learning each day a new
language for grief.

Poetry

Poetry is, because it is the natural way
the breath, the rhythm
the language of the body and the mind

Time was

A silver day wide whipped
clouds unfold move to the east

Weary the memory
fades into darkness

Shadow embraces
the lonely space

Stone walled
garden turns to grey

Dry stocks
whisper together
wait for the winter wind
bend, break, decay

Rooted in deep earth
in a stranger’s place

What is Poetry

Winnie asked this of us, and I am hard put to attempt anything as grand and perceptive as her posted poem. Yet I am drawn to ponder the old question, "Is it the singer or the song?" I would wish to say that as I am a poet, everything I write is poetry -- and cannot be else. Thus I need help here from my friends to decide not only what poetry is, but what makes a poet -- and more profoundly, why many seen driven to write. Up until about five years ago I hardly wrote a thing outside of business stuff. Now, hardly a day passes without writing several poems, stories, reflections. Am I gifted or cursed? I am certainly possessed.

The other day, due to miscommunication and wrong information from the bus company, Em wound up waiting for hours to be picked up, while I talked to the grass at another location. My concern was not nearly as deep as hers -- fearing that something terrible must have happened to me. Later -- safely home, she sat beside me and asked me to write something for her. She says I can share it. I wrote this, just as is without editing. This is the way I think -- the way I speak -- the way it 'flows through me'. Poetry, I don't know -- life, yes!

faucon

My pulse is perhaps slowed a bit
with the touching of your sadness -
and I extend out and within
as of want and call of being;
for there is a tremble in your presence
of which we are not aware in fullness -
from the newness and the nearness of it all.

The melody of your playing
need not shift to minor key -
nor fear that fine strings are broken
on the lyre of our togetherness;
for what you sense
is the breath of lonely
whispering in a duet of longing -
of which you have never been blessed before.

By chance and error of assumption
you were to fear I'd come to harm -
and in an instant of panic
reality set in and down;
for the life we assemble is fragile
and puts us both at risk of fame and fortune -
for of we there must be us or all is mem'ries.

Welcome to true humanity
and the oft bitter sweet passion
that mere mortals embrace in love
that angels may fly divinely;
and know the trembling of my heart and soul
when you are late, gone or choose to walk alone
and I too am skert of being with none but self.

But being two
is what it is
all about,
of course...

and I am here right now.


Dangerous Combination

I had a blank napkin and a free moment ...



A Cherita seems a fairly simple form of poetry at first,

composed of three stanzas counting One, Two, Three
in length of lines and symmetry with rhyme and meter disregarded,

but made a bit more difficult by silly requirements
like coming to an exact total of fifty-five words
without becoming extremely dull or too confusing.



faucon

Ftizgerald Pantoum - Someone is Getting Carried Away!

The garden where Shakespeare walked
Is planted full of rosemary
Growing wild outside the gate
The holly and the ivy

Planted full of rosemary
This, he said, for remembrance
The holly and the ivy
Pray love, remember

This, he said, for remembrance
Growing wild outside the gate
Pray love, remember
The garden where Shakespeare walked

Another Fitz Virgin

I am catching the whisps of this weeks postings- had seven days of 'me against the world'.
Now we're playing on the same team again.
Is this a Fitz? I took a line from Winnie's last post ( I don't mind that you rhyme at all!) and it is 55 words long.


THIS

Time will not be giving
the freshly broken flesh
of this moment twice.

Brilliant and sharp,
even as I bite, the
tang of ripe and juicy now
dissolves

and sweetly calls
to melancholy yesterdays-
familiar savoured aches
of memory's joy.

Thus sensation dies-
fierce, immediate,
this pungent, freshly broken world;
beautiful, if bittersweet
its passing.

C. F. Reflection

by thy will ....
daughter of Winnie Cherita Fitzgerald

A dream of endurance, a prayer of hope -- within my grasp.

Behold my staff of Sequoia branch -- spiral twist and yearning;
inner bark reflecting the myriad contortions of will and spirit.

All are now drawn to touch and caress
this simple ruddy shaft -- solid in form and stature,
yet known as the 'Breath of God'.
faucon

Sunday, May 22, 2005

Cherita Fitzgerald

I swear, I'm going to name a character in my next book 'Cherita Fitzgerald.' Also a do-able combination of poetic forms.


Redwood

I can’t reach my arms around the stiff, stippled bark

Standing where it has stood for two hundred years
Stretching up with an inspired flight into a cloud washed sky

At it’s feet, a seeding sends tentative roots the other direction
Deep into the soft, loamy ground
A dream of endurance, a prayer of hope


©Edwina Peterson Cross

short short

I am searching for old, short poems --

only one so far ... (not for Em)


Cold
Old
I wanted a glowing ember,
pulsing, vibrant.
You only wanted a chunk
of icy crystal stone
Cold
Cold

Just Back

We spent the weekend driving to Pennsylvania and back (512 miles) each way, but did have some time to write -- three of which just happened to be Haiku

faucon
............................................

my view overlooks
a lake of steel silence
waiting for the dawn


will you whisper now,
or shout upon the breeze,
or just sleep alone?


clouds laugh lonely tears
on the meadow’s singing lark,
whee – do – diddly – oh

Saturday, May 21, 2005

Saving Old Poetry

I’m finding bones in the garden
Where the darkness is spiked with cold
Asleep with webs of roots and worms
Winding through the shifting mold

What lost and murky deed was this
In the mist of some long lost night?
That has moldered thus for decades
Away from the air and light?

The shovel turns soil as black as pitch
And clicks against dry bone
Perhaps they should stay hidden here
Undiscovered, untouched, alone?

Perchance there are secrets buried here
That are better left unfound?
Perhaps what this marrow clay conceals
Is best left underground?

Still I dig and flip the shovels-full,
On the ground debris is strewn
Jumbled, disjointed, human bones
White and cold in the shade of the moon

I force my eyes to the macabre brew
In trembling, terror and fear
But as I gaze, moon shadows shift
And the still, pale bones come clear

They are white as pearls in the moonwash
In this garden cold and wild
Unearthed from out the haunted soil
Are the clean bones of a child

The slender bones of a maiden
Scattered across the broken ground
What secrets to these ivory bones
Like ivy roots are bound?

For there is a mystery on them
Unearthed too late, too soon
Suffused with mystical meaning
They glow with more than moon


Who was she, who lies broken here
In echoed pale illusion
These bones of alabaster ice
In scattered, lost confusion?

Did once a name, a heart, a face
Bloom bright beneath the sun?
Before the dank and silent earth
Took all to be undone?

Did the starlight wash her silent
As it sifted from above?
Was she spun of air and magic
As she danced her dream of love?

There is no voice to that dream now
In this dark that has no dawn
No throat is stretched with song here
The singer is vanished, gone

All that was, is afterward
All is nevermore
All that might come after
Was broken by the past before

She is gone without a breath now
Where there dwells no lasting chance
No whisper sings her song now
No steps that mark her dance

And yet - there are these secret bones
Lucent mysteries in the ground
Brittle, broken lilies
Twined with ivy all around

Still full of pith and marrow
Even after all the years
They shine like moon deep opal
Echoed mirrors of ancient tears

A testament everlasting
A rune thorn clearly drawn
Sundered, slivered, broken
Transformed, but not yet gone

There are splinters of words in this garden
Deep buried beneath the stones
Hearts blood spilled onto paper
The truth of a young girls bones

So I gather those splinters like relics
Disjointed and scattered apart
An incomplete hallowed collection
Piles of paper stained with my heart

And there is a mystery on them
Unearthed too late, too soon
Suffused with mystical meaning
They glow with more than the moon

I lock them away, safe and sacred
Shattered bones still charmed and entranced
I save them in humble remembrance
Of the girl who once wore them to dance


©Edwina Peterson Cross

Haiku

softly, spring winds blow
helicopter seeds swirl down
tree releases her bounty

The Construction of Haiku

Some brief words about
The construction of haiku
A fine short verse form

Strictly, for a verse
To be haiku, it should show
Nature or seasons

In a lightening flash
It should reveal an image
Illuminated

Using the same form
Verse based on human nature
Strictly, are senryu

Poetry teachers
Strictly, nit-picky; sometimes
Are run out of town

P.S.: Remember
Strictly, haiku and senryu
Shouldn’t ever rhyme

The best thing to do
With any kind of taboo
Is prove it untrue

Verse need not always
Conform to five, seven, five
Strict syllable count

Some poets go on
To a more organic verse
Without strict counting

Some always stay with
The strict five, seven, five count
When they write haiku

I like the strict form
Though I don’t really know why
I find it pleasing

I do love haiku
Brevity the soul of wit
Said my friend the Bard

Mostly I find them
Elegant, graceful and clean
Succinct and yet whole

Venerable freshness
Something, calm, rich and ancient
Birthed forever new


©Edwina Peterson Cross

Short Poetic Forms - The Cherita

Dear LivePoets,

I do love haiku - when well done it can take an image or a thought and flash it on the inner eye in one brief, bright second, like incandescent lightening, sudden illuminating the inky night sky both with visual image and significance. The haiku is not the lightening, but rather what you see during that split second of light.

Of course haiku is only one short poetic form. Recently Fran reintroduced me to the Cherita. Like the pantoum, Cherita is a Malaysian poetic form. Cherita is the Malay word for story or tale. A Cherita consists of a stanza with a single line, followed by a two-line stanza, and then finishing with a three-line stanza. It can either be written solo or with up to three partners.

I’ve written several, but have never really gotten hold of the feeling of the form, which, ideally delivers punch of meaning, especially in the last stanza. Fran has written some sterling Cherita. Fran, can I talk you into sharing some of your Cherita? (Particularly the one about the rabbit and the one about the butterfly.) They are perfect examples of the form.


Cherita for Childhood

I liked to play by myself

I knew which trees talked,
and which just drank the wind.

The bark scratched my bare legs
as I nestled in their arms
Dryad in crinolines

©Edwina Peterson Cross

Friday, May 20, 2005

ant ecstacy

A sidewalk crack
corrals a growing puddle
of melting creamsicle.
The child still clutches her sticky stick
crying for her toppled treat.
An army of ants
marches to paradise
sampling the nectar
of ant gods.

Shorts

Here are a few that I found which meet the criteria, I think. It seems, perhaps, that the brevity does, indeed, bring on the irony - or bring out the irony. Perhaps.



Wings

Open up infinity
Before the past was broken
Masked by stars, beloved
The Merlin comes in token
That vision is awakening
That the dream has woken



November Blue


I used to wait and wilt for Spring
The winter grown too long
I ached for every greenish thing
And for the robin’s song

Now winter quenches yearning
With nothing to pursue
Earth's blessing softly turning
A bare November blue



You play people like a six string
With a talent deft as whine
Such skillful art your message:
I. Me. Mine.



Leo rising
Brimming full the indigo sky
Flush with gushing golden fire
Radiant phoenixcal rising
The moon is bright with ashes
The Lion is reborn
With wild wings of wind



It all comes down to Dylan
A cosmic fact that’s true
All things are blowing in the wind
And add up to forty two



Bullwhip

words, she uses, whisk
snap, crack
like the flick of a bullwhip
could take a pimple off the
ass of a dilettante at thirty paces

why does she tell me the truth
as if it were the cool earths core?

bitch

Thursday, May 19, 2005

Short Poems

I read all of your offerings to m'lady Emrys,
whose 'SmartView' screen enhancer
so badly chops up lines
that poetry loses much.
Her comments,
sprinkled with praise also asked,

"Does no one write short poems?"

By this I intrepet 'less than a Fitz,
but more than a Haiku or fortune cookie rhyme.'

So why not give it a a try?

Each must have a beggining, a theme and an ending (homefully ironic)

for a starter, here is one
that I found years ago that
might qualify.

"Once every person saw a flower bloom
and told no one --
but that was a world now long gone
in stardust."

faucon

Wednesday, May 18, 2005

first "fitz"

Cloistered in an unlocked cell
each morning I linger
for an hour or so,
reluctant to join the world at large.
My inner drums are broken,
rejecting natures rhythm
but I've memorized the music
and still can play by ear.
At the moment of my choosing,
tiny electronic portals
aid my journey
toward your laughter.

fog'n'mist

The recent references to fog
left me dank of spirit,
befuddled of mind,
and blind unto myself --
and my 'fell out' reprise contained
that I would never walk in fog again.

This is choice, for me
of a spiritual bent rather than climatic,
and I embrace, prance and sommersault
in all profoundness of nature ...
yet, 'tis true I avoid such enclosed space
in story, poem or on a river bank.

In a quick search of past creation sins
I found but two references to 'fog'
of any note or pretense:

"Beautiful is the Fog
as it envelopes, hides and comforts;
holding as I 'collect' soft mem'ries
the Night and Days of my Life..."

"Sprigs of greenery and berry-chains
hung limp and sad as the freezing fog
breathed in and out of the narrow streets."

Yet a search for 'mist' produced hundreds of hits,
and I rejoiced in the focused implication,
knowing that for some the two are seen the same.
Alas, many hope filled recollections
of faint scribbling and thought bashing
were naught but
MIST-akes and MIST-ress and MIST-rust,
but not necessarily in that
order.

A more guarded exploration,
now filled with trepidation,
brought my quickly and adroitly
to visions of rebirth
and nothing more (oops)

I also know that 'dancing in the rain'
would be found as repeat refrain
and that 'fog' must be relegated
to a 'nothingness' in between --
that within this void of sensation
I am stripped of all creation
and caressing of my soul.

So, I will walk with you into the fog,
or choose to crawl about in fumbled
exploration of awe and wonder
(but not both at the same time),
and willing stand in Tully fog,
naked below the neck,
laughing at the world --

but walk there? Nevermore.

..............................................................................

that you might understand -- a sampling of 'mist images'

"Consider the choice to blend the lively mist
and fading Autumn blush..."


"A gentle breeze carries forth
the cedar whisper and the aspen's quake,
into the mists of yesterday
that disperse this new day's perfume.
Diamond dew drops do distill
and join the twinkling of the brook,
and birth strong song of meadowlark
and glint of fluttered fairy wings."

"Would that I could now find such divine innocence,
and cycle anew from tinkling stream of birthing,
to dreaming mist and laughing clouds of morning.
Oh, then to be drawn to the soul of Mother Earth.
Chose – it is your life and song of vict’ry to sing.
Plunging, frantic deluge to nurture new Spring life,
or silver fairie stars of tumbling snow bound hope
that will melt and finger through stones and sandy ridge
in a cent’ry long quest to live as one with me?"


faucon



What is Poetry? What Does it Mean To You?

Perhaps it is time for this? Perhaps it is time for something I haven’t written yet and might never write . . . What is Poetry? What Does It Mean To You?

Rudwulf’s “Visiting a Poem” slid between my solar plexis and my throat with a resounding thunk. Truth. Does it tell ALL the truth of poetry for me? Ah! I think I could write on the subject exclusively for the rest of my life, producing tens of thousands of pieces and never even begin to touch ‘the truth’ of poetry. And I am just talking about my own, personal meaning, never mind the labyrinthine intricacies of the universal, pandemic truth. If such a thing exists.

I’ve considered poetry in metaphor, metonymy and metalepsis; in simile, symbolism and synecdoche. I’ve written about poetry in prose, poem, poultry, paradox and personification; in image, imagination and irony; analogy and allegory, in allusion and illusion . . . I’ve approached the bottomless well of poetry from my beliefs, my brains, my breath and my bones. I haven’t yet scratched the surface of the rippling surface. I never will.


POET

The poetry came with breath
Perhaps before: certainly, my mother says I danced
Nourished greenly on watercress and sparkling lemon-lime
The poetry came with language
In that mystic moment when labeling turned
To understanding
Perhaps before: star-fish fingers, sky-reaching to touch
The limpid moon

On a scaffolding of idea and image
I have been sculpting since my fingers formed
Perhaps before: shaping with shadow
Gilding with glitter, building with breath and bone,
With layers of learning and lore,
Hollowing out the harmony
Between the language of deep darkness
And the radiant tongues of angels,
Balanced in an open door of twining twilight

Neither actuality or accuracy, factuality or fidelity
But a blending of both
Synthesis and symmetry
Something replete, round and whole
Stones of antiquity, classic bedrock granite
Blending smoothly with seafoam and mist
In this abstract, concrete creation
This spiraling, seamless montage
Produced for no audience, for no audience will come

Fact: there will be no eyes to see
No ears to hear; no fingers with enough interest
To trace my pale blue veins, from wrist to heart
Truth: it matters not at all
The creation goes on
A conception shaped of joy
Forged out of pain
Fashioned of a needless necessity
Molded to pour full and mellow
Filling a sweet, hollow yearning
Which has echoed with seasound and moonsong
Since the dawning
Perhaps before . . .


©Edwina Peterson Cross



(Anyone who caught the chicken gets a sticker!)

Poem From the Ether

Whoa! I have NO idea where this came from - except from faucon saying he’d never walk in fog again. It tumbled out exactly as you see; whoosh, bang, boom. Always sort of freaks me when that happens.


Never say never
She never has said
I’ll spin silvered air
Into gossamer thread
I’ll call down a moonbeam
A diaphanous dream
And set it to weaving
Viscous clouds of sweet cream
Where moist meets the mountains
In a lush pearled haze
Time ceases to trickle
Ageless white days
Alabaster eternal
With the future before
The gray ghost of the past
Through a mist shrouded door
Never say never
‘The End’ or amen
In this soft timeless fog
You just might
Walk again


©Edwina Peterson Cross

Tuesday, May 17, 2005

Description of Place

Dear Live Poets,
I always feel as though ‘this place’ - LivePoets at Soul Food - is, indeed, a ‘place’; a destination, a location, somewhere that I actually go. Perhaps it is just my spirit that comes to this ‘place’, maybe it is my eyes, perhaps my thoughts. Whatever it is, it comes here seeking green; searching for soul nourishment in the form of elegantly woven words, fresh and fascinating concepts, ideas, images, metaphor, meaning. All this, and more, I find ‘here.’ This afternoon, I read a response to a comment from Maya that struck such a cord with me that it vibrated my spine until my brain sang. I loved it so much that I have taken her words and worked them into the description of the group that appears at the top of the screen. Added to Heather’s original description, there is now a bit of Maya’s. Together they paint a portrait of this ‘place’ that is beautifully descriptive and full of truth. ~ Winnie

Visiting a poem

The long dirt track
that leads to the poem
ends in a circle drive
of black cinders
with the poem's windows
looking down like leaden eyes.
Its door stands agape,
dumbfounded to see you here,
to find itself in such disarray.
But you alight and,
despite the poem's protestations,
enter, laughing and saying,
"We're old friends."
In the shafts of light
inside, there is a dark
sofa with a floral print
and a red silk scarf
thrown across the back.
A jade colored dressing gown
lies on the floor
like the outline of an accident victim.
Trays are scattered on tables,
a desk, the floor. The tattered
remains of dictionaries, travel books,
newspapers from the last century,
scientific texts, manuscripts describing
alchemy long ago reputed,
parchments known to be sacred,
but written in a forgotten tongue.
Bits of blueberry muffin.
Empty coffee cups
with a brown sediment,
that reminds you of long-dried ponds,
squat like sentinels
beside the guard towers of glasses,
lit by the silver of asti.
You hear an old music
from somewhere. Drums.
A wooden flute.
Something else.
The door to the library swings
open silently
and the muses of this place
enter. The dark goddess
with her black eyes
and pounding breath..
the white goddess,
with her hair like a silver
waterfall and her patient eyes.
You have not entered the poem.
The poem has entered you.

flip side fog

At Sakin'el we do have mist though...

written last year

MISTY STROLL

One must arise early
to see the mists of Sakin'el,
than dream a bit longer
in the arms of your cherished one;
for the faint swirling breath
of Avalon sure conceals naught
if you fail to invoke
wizards and crones, knights and angels.

Find here new path and glade,
grove and vale paced by racing heart.
Know that here human hand
forges currents of magick spell,
and wraps my very soul
in tendril vines of spirit's growth.

Soon -- soon waiting friends
you will be close to share my stroll,
and sigh to the rapture
of harp and voice, magic and tale,
and hunt for starry dreams
beneath the tears of Mistress Moon.

Each by each may you come
only to leave in bonded peace;
for you will be kissed
by an angel of rebirth dawn,
and protected by right,
in bold embrace of falcon wings.


faucon

Monday, May 16, 2005

Crossing the bridge in fog

Crossing the bridge in fog

A white river surrounds me.
At the white forest
I enter throught a white wall...
enter a nation of white illusion,
the wedding of cloud,
river and air.
The sun is a god-coin
hammered
into the silver-white wall.
Time ceases.
Crouches like a cat.
Tail of twitching mist.
The bridge I cross is a black shelf
extending into an incalculable distance.
A distance from which I will never return.

Having Fitz

Ever since faucon first introduced the Fitz, I’ve been perversely wanting to take shameless advantage of that “loop-hole” that lets you use a title of any length.


I was stolen by the Gypsies.
My parents stole me right back.
then the Gypsies stole me again.
This went on for sometime.
(Charles Simic)


If the Gypsies had stolen me
A breath wouldn’t have been uttered
My mother would have let the back door slam
Gone across the tall grass of the yard
Faster than heat lightening in the mountain twilight
When my father came home and found her gone
Heaven wouldn’t have been enough
To help
The Gypsies


©Edwina Peterson Cross

Sunday, May 15, 2005

Single Flower

When I think of a single flower,
I recall 'the jewel in the lotus,
known by many as "Oh mani padmi hum"

Yet I have found that few know the words
of this most ancient prayer, so here for

Winnie -- a gift

Heather - a medieval touch

Maya - brevity of a Fitzgerald ...


MY LOTUS

For some a simple bloom
of a thousand petal dreams;
kissed blessed pristine white.

But by ancient bent,
"I invoke
the path and experience
of universality,
that I be enfolded
within the lotus center
of awakened consciousness,
and wafted beyond all bonds and horizons."

In quest may my honor
be cast knightly black;
spirit to sustain.

faucon

For Maya

This poem was written for the Poet Carol Lynn Pearson. I bring it here today, dedicated to Maya, whose exquisite, spare poem “Timepiece” shook my soul with sublime simplicity, and didn’t leave my mind all day. Faucon's thoughts for Maya made me think of this poem . . .


Carol Lynn

I write bouquets
Arm loads of lilacs
Dripping rich purple perfume
Great cataracts of carnations
Splashing rainbow hues
Hibiscus and hyacinth
Opium and orchids

How I envy
Your
Single
Perfect
Rose


©Edwina Peterson Cross

After Yeats

See my heart broken with words
By words, too bright to be swallowed
Through words untouched in awe
For their beauty burns and rages
In a radiance of remembrance
A knife through the moon

Between these leather bindings
Where memory spilled my tears
See my heart splintered by sound
Shattered by the spell
Of words shaped of silver
Glistened gilt with golden light

Find here my heart
Broken by dreams


©Edwina Peterson Cross

"He Wishes For the Cloths of Heaven"
from the Collected Works of William Butler Yeats

HAD I the heavens’ embroidered cloths,
Enwrought with golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the half light,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams.


W.B. Yeats (1865–1939)

Beyond

Beyond what we see,
there is more.
Beyond what we feel,
there is more to feel.
Beyond our universe
is another
and yet another
and so it goes.

Beyond the speed of sound
is the speed of light,
then, the speed of our ability
to understand,
to communicate,
to believe,
to know that deep in our soul
we are not alone, that we are
but an infinitesimal part
of an unseen whole.
A concept
beyond our ability to reason.

Each of us individually
is a grain
of whatever it is to be human,
and tho' we strive, we fail.
When reaching for the stars
our weakness is
debris upon the path,
but we continue reaching
knowing that--

Beyond what we see,
there is more.
Beyond what we feel,
there is more to feel.
Beyond our universe
is another
and yet another
and so it goes.

Vi
(c) May 14, 2005

FOR TIM

( inspired by your 'Revelations' Winnie to post this recently revisited poem)


We are complete-
untried in all the aspects
of our being, but I know
if nothing is known, if all is unclear,
we are complete.

We have barely turned the page
but I know
that ours is a whole, true story;
that the first word ( love) will always be
and never be enough
and I know
we won't put down the tale
though each new page will unfold flaws.

I know you are perfect
and I know that
I loved your imperfect lips
the moment that you kissed me
( that perfect kiss)

We overflow
and yet I know that
we will rush to fill the breach
of love's great greed.

We know it all
and yet will always
crave to learn the
secret nexts that now must hide.

The reeling world before us spills
and yet witholds in measure all
our love has,
in its wisdom,
not revealed.

Saturday, May 14, 2005

Empty Nest

The 1982 powder-blue Volkswagen Rabbit was cute and compact; I bent to the back seat to buckle my little girls into car seats twenty thousand times; it drove to grocery stores, dancing lessons and preschools; it lived on snow. Reincarnated as a sixteen-year-old’s alter-ego, it spent its second life sprinting from High School Theater to Taco Bell, graciously bestowing rides upon thankful subjects, making memories, night cruising.

The 1993 Dodge Caravan originated navy blue, peeled to sad, pocked gun metal gray. It was square and ugly, but it held three cellos, one bass, two violins, six musicians and could made the 20 minute drive to Youth Orchestra in 13.7 minutes. It carried the entire Odyssey of the Mind team, vast quantities of food administered to starving actors, various and sundry adolescents always coming or going and an incredible amount of garbage. Sometimes, driving down the road in the middle of the night, waves of laughter coming from the back seats, I would look at the faces in the rear view mirror and be struck with terror at the wealth of intelligence and talent cradled in my single vehicle. I’d want to pull over, too frightened to drive. The faces in the mirror have faded and disappeared, one by one, dissolved into the bright future that awaited them and the ugly gun metal Caravan is gone.

My new Honda Accord is silver with black velvet interior. The lines are long and elegant, the engine makes hardly any noise. Inside is the first CD player I have ever owned; I can listen to my own music now instead of the kids radio stations. I put in a thin metal disk and turn the dial all the way up. The sound shakes the inside of the car; I can feel it in my backbone and in my knee against the door. Crosby, Stills and Nash echo inside my skull, in the pit of my stomach. “Teach Your Children Well . . .” I glance in the mirror. My hair needs to be colored; there is a stripe of grey right down the middle. I am alone in the car.


©Edwina Peterson Cross

Heart Pieces

One beside the quiet Avon
One beside the sea
Time has cracked my heart in pieces
And swept them away from me

Life has wrought well of my loss
And all the change it brings
Made each broken heart piece whole
And fitted them with wings


© Edwina Peterson Cross
January 2004

The Changling's Children

What is a child born to a changeling
And a man of the mountain and wood?
Creatures of starlight and sandstone
Beings of perilous good

The stars and the moon and the sunshine
Come to dance on the green growing earth
Their fingertips parting the twilight
In a medley of mortal and mirth

They were held for a breath of an instant
Between the two worlds growing strong
Drinking learning like clear mountain water
Tasting words and movement and song

Then the strong roots that bound them secure
Loosed and bloomed hollow to wings
They spun in the sweet mountain breeze
Trailing a rainbow of Fae apron strings

And oh, ‘tis a woe to the changeling
Letting go of the creatures is hard
They heard a renaissance pipe in the greenwood
And flew off in the spell of The Bard


©Edwina Peterson Cross

Indulgence and Phoenix Ashes

The poem “After Revelations” was a bounce-back-poem to another poem written by a young mother who is currently caught in the whirl of ‘now.’ Those of you who have read me often know that this is a rather . . . recurring theme. (To say the least!) I am going to indulge myself by posting a couple of more on the same subject. THEN I will shake my head like I’m coming out from under water and see about some Phoenix Ashes. I wonder what the Alchemical Sign is for Phoenix Ashes? Fire is an upright triangle, but the ashes must come before.


Revealed Two Daughters

Winnie's thoughts
brought me two think of two daughters
thousands of miles away and apart.

Two Daughters

Where then are the daughters of memory --
prancing laughter,
barefoot flowers, singing whispers?
Can they be now as tall as childhood swings --
forward to tears
and back to shoulder carry;
hyacinth cheeks and elderberry pouts,
corn silk braids
chewed as haystack disarray;
legs as beanpoles running --
graceful dives in tranquil pools,
churned into frothy lace
above bashful --
sudden knowledge of the moon,
proudly jutting, fumbling waiters and pieced ears;
endless questioned everything,
pixie mischief and questing souls,
fix a car -- cut down a tree,
double rows of eyelashes -- oh my!
choose to read,
and talk to me.

I walked behind --
amused at how all heads turned
with their passing,
secret knowing
shared with me;
two Valkyries perhaps --
with shields of confidence
and swords of wit,
courage to walk away --
fly away
from me.

I walk here barefoot in thundery rain --
a gift denied their high desert birth,
and set aside the quite lap times snuggled,
and wait -- wait for them to grow to know,
who I really am --
but I raised them too well
to be like me.

faucon of Sakin'el



timepiece

sunlight infusion

drawing a circle in the sand
with the "everyday" walking stick
I rest my hands and chin
on its top end..perfect height

alone in the center
I stand
silent and immobile
but for my own gentle breathing

I am a sundial
keeping time

Friday, May 13, 2005

After Revelations

Knowing doesn’t change being
What is at this moment splashing in your eyes
Strung across your forehead like prayer flags
Slapping your face with the smack of the present
Shaking your shoulders with the snap of now
Is not in any way modified or altered
By any kind of sapience
Of what will
Inevitably be

That you will open your eyes one day
And find them gone
Doesn’t stop the morning from crashing
Like a rhinoceros through the porcelain dawn
A future vision of vanishing tail lights
Empty chairs at the kitchen table
Tidy, dusty, silent bedrooms
Does not erase fatigue
Nor transform the existent ache
For breathing space
A private moment
The time to think

How odd to be human
When knowing the future
Being all too aware of imminent
Events, equations, emotions
Doesn’t change an iota
Of the dance of
Now

I remember mornings
That peeled my eyelids open
Like the rip of surgical tape
When two small girls
Shook the stasis of the planet
And threw it off it’s axis
And I was embroiled,
Consumed, absorbed,
Immersed in the
Immediate

I opened my eyes one day
And found them gone


©Edwina Peterson Cross

Joining Circle

Such timing? Synergy? Current draw?

Being the Manor House 'tween Henge and Grove
is a place called the 'Joining Circle' --
a place for drumming, stories of Bardic call,
and perhaps a mallow cremated or two.
It is used for many purposes --
occationally by friends of an intense
'Earth Based' view of eternity. (like next weekend)

Last year, to welcome and open all events,
m'lady Emrys and I decided to always
dedicate a 'Joining' -- a recommitment
of vows and hopes and more ...

I wrote this 'invocation' to begin this tradition --

Silent Joining

Sakin'el calls in many ways;
brief as Light past storm bursting,
ling’ring like an autumn sunset,
thick as cream on dusted cherries.
Come to me as an altar waiting.
Behold the candle flame of desire.
Ancient musk in incense praying,
cast a spell to guide our yearning,
Lotus and Falcon be as one.
Walk this circle inward -- outward
spiral prance round the fire's hiss,
enter this timeless nautilus
within chambered souls bound as one.
All paths cross within the forest,
all your journeys will take you home.
The stars will swirl in fine applause --
come embrace the Joining Circle.

......................

not bad for a Catholic, heh?

faucon


The Shell

The Shell

Coral opalescence, smooth and cool
Echoing silence and sea
Silver, salt-rimed moon blossom jewel
A pearled prayer that always will be
Eternal, iridescent
Cup of ocean and earth
Lustrous, luminescent
As the stars giving birth
Complete, incandescent
Spiraled universe whole
Hallowed, quiescent
The stillness of soul


©Edwina Peterson Cross

Thursday, May 12, 2005

Desert City Poems

Hello everyone,
I hope you enjoy my first post. These three poems are deliberately romantic.
They go in a series of poems: half in this 'Arabian Nights Fantasy' style and half in 'Urban Realistic' style set in the Middle East. These are the only ones I have stopped fiddling with, so I guess they are done.
Heather Marsh



DESERT CITY POEM ONE

Slower than dust
the carpet seller rises
with the air of one whose quietude is spoiled.

Indifferent to commerce he chooses a single rug and lays it out.
A tilt of brow says "sit".
Apple-spiced and steaming tea is poured,
the hookah passed with smoke and musk-stained fingers.

Then he speaks; languidly, placidly
of the sands and recent storms,
a quarrel in the senate,
the quality of figs at market brought by passing caravans and

all the while watching with lidded eyes your gaze
transfixed

by endless patterns and motifs
complex, dazzling
silk and metal threads entwining
weft and warp in infinite play
forming arabesques, diamonds, vines, hyacinths,
prayer arches, eight-pointed stars,
running dogs, snakes, horses,
A feild of rose with
blue, green, saffron chasing fugitive red...

His mantra
then silence

A question
and relieved your answer: "Yes!"
"Yes- how beautiful it is- that rug"

For the first time he smiles and
with deliberate fingers
parts you from your purse.


DESERT CITY POEM TWO

The floor of her chamber is a pool
of clouded glass and
lapis adorns her slippers

If liquid gold for nectar she desired
gilded her lips would be

Would she but sup, the Kingdom would starve
that no sweet fruit or spice be denied her

The gifts of Princes: oils and salves
which in their caskets lie neglected,
could perfume the East

The tears of her suitors,
disconsolate in their finery,
could fill an ocean
but never touch the distant shore
of her parched heart,

nor still its cry of longing to the night
whose lament is echoed by
every beggar in the city.


DESERT CITY POEM THREE

Behind the market, in the grocers lane
at the starless hour before dawn,
a child awakes from the lap of sleep
where a dream had taught him a history:

Of the land where men are blind
and walk with outstretched arms
across a gossamer thread that
stretches from the beginning of the world
to the end of time.

Beneath the thread is the land of the djinn;
A chasm of nameless terrors
from which the laughing demons fly.

They fly with their furious breath
and topple, staring and sightless, a boy
a child, a grocers son
toward terror and silence.

Falling he wakes,
his brow a sequined stone
and begins the wail that will rouse all the dogs
from here to the temple.

Wednesday, May 11, 2005

Just Words?

Yes, I too would like to hear some words from others here -- any words ...
but perhaps the rope has to be jerked a bit
that the bucket may swing and strike
the chimes of creation
hidden in the well.

I am reminded of a professor in a Creative Writing class years ago who said,
"enchanting imagery in words is not enough -- they must eventualy have relevance."

So, taking this as a challenge I wrote this and read it to the class.

Under the amused glare of 20 students he replied, "Just don't make a practice of it."


DRIFT of SAND



The hourglass is now broken ...
and the endless sand sifts through hopeless fingers
of clutching despair to gather up the falling jeweled tears.

Shadows on this moonless night ...
block and distort the chant of footsteps on dusty steps
that lead upward to the depths of ever silent clamor.

Strings of a shattered flute ...
beat and subdue pulsed sanguine heat of frozen veins
from this heart pierced by the discord of untuned desire.

The roaring din of starfall ...
distracts from meditation and swirled mind of patchwork hues
that seek an answer from this spirit’s claim on soul’s view.

The measured tread of chaos ...
challenges the willful claim on self’s possession of this nothing
that slow consumes the mortal pride so fearful of surrender.

Circle parallel tracks of time ...
within the balanced juggling of reasoned wit and terror
that prays upon the loving need for this compassioned sigh.

Silence now please echo in the turmoil of my mind.

CALLING ALL LIVE POETS!

Angel, Bobbi, Gwen and Fran
Shiloh, Faucon, Vi

Heather, Heather, Carol,
Maya, Ruhdwulf, Pi

Patricia and Sweet Megan
Everyone draw nigh!


Where are your words of wonder?
I know there’s a vast supply!

Please bring those words out from under
Send them loose and let them fly!

It is secure and safe and fun here
There is no reason to ever be shy!

The poems here are fantastic, but more Live Poets
need to try!

Sharing words makes everyone richer
And now I’ll tell you why . . .

Widdershins Well

When I run dry, I go to the well
Draw forth a bucket to fill my soul
To imbue my fading blood with ink
Wash my dried up vision whole

Blood grown as weak as water
Achromic, pale and dim
Will be filled with a vivid enchantment
Up to the bucket brim

It will rehydrate my vision,
Resurrect my words
Recolor my blood with brightness
Like luminous rainbow birds

But at the well I’m brought up short
There are strangers who drink from the cup
Sending the spellbound bucket down
Splashing the spectrum up

I pause on the dusty pathway
And breathe a downcast sigh
Will they take all the flourish of color?
Will they leave the well spent and dry?

Yet, their voices sound kind and joyful
Mingled laughter rings like a bell
I creep up softly behind them
And gaze into the depths of the well

I am shocked to find it brimming
Right up to the rope-work pull
I have never seen such color
Never seen this word-well so full

I must have gasped out loud
For someone turns with a smile
“Didn’t you know that this sweet well
Works in a Widdershins style?”

I can only shake my head dumbly
As I gaze at the color below
It is lush, rich and magnetic
An enchanting, light-giving glow

“Did you think the words would run dry?
Or the colors turn cold and pale?
If too many souls refreshed here?
Let me tell you the sweet, true tale . . .

For every bucket that is tasted here
Two more buckets full appear
Each more beautiful than the last
More color, more light, more cheer

It’s a well that flows out Widdershins
A backwards kind of pour
If much is taken from this well
There is always more

The more that drink here, the richer it flows
It’s a bountiful, generous spell
When blessed by the gift of this word-well
We receive from each other as well

Each time someone tastes this magic
There is more than there was before
The very act of accepting
Assures there will always be more

When I take colors here for renewal
I give back to the great guarantee
When you drink for your hearts resurrection
You are giving new colors to me

Elation, creation, building with words
This well is a poets prayer
That is deeper and ever more giving
As more poets come here to share

Show me your words
I will gift you with mine
The well will come brimming
Inspiration’s sweet wine

A cycle of sharing
That lifts and transcends
In this circling creation . . .
The dance never ends


©Edwina Peterson Cross

(Who is looking forward to MORE POSTS from MORE PEOPLE!!)

Horizon

Enclose the shell
in its ocean.
Carry your hands
to Machu Picchu
and let them
feel the stones
and dark cup
which Neruda left
on the altar
of mountains.
Let your eyes open
to that raucous crowd
into which Whitman waded
as if he were a longshoreman
or a hostler of mules.
The way opens.
Persuade your feet
that it is so.
Carry the Great Plains
into the city
and raise a row house
among the tall grasses.
The horizon,
your horizon,
is unimaginable.

Tuesday, May 10, 2005

Welcome Mrs. Marsh!

Welcome to Heather Marsh who has just joined us. I'm hoping we can look forward to reading a series Heather is working on combining the Arabian Nights with Modern Middle East images. The one poem of the series I have read was fascinating. We are glad to have you with us, Heather.
~ Winnie

attempt two

A quick search on some of your 'terms' and this appeared.

Written last year when my Emrys was feeling sad -- some may apply

faucon
....................................................................................

Ah, it is still dark
or so envisioned by those still asleep.
Yet the Mistress is about and above and over there,
casting amber shadows on things so real
in sunlight glare that we may not see for blinking.

Life spreads before us a tapestry,
woven of warp threads of eternity
and our feeble yarn of self-dilution.
we get caught up in this shuttle of life
and forever pass guilt and envy to another
"woof" is a magical term as any other!

Come on then, my Lady, reflection of my soul;
show me the texture of the shadows
and hide the discarded trash of yesterday.
open my eyes to what can be made real
instead of reality made ugly and less hopeful.

Why does the world choose to slumber, half awake
when they could walk the path of wonder
only lit when your golden laughter
draws me to my pulsing
seed of life?

It is only by reflection that we can see the truth,
both in harsh realities of pain and strive and yearning.
Strive to look at life's choices through the eyes
of one less fortunate by your own limitations,
that those would you would set
on a pedestal of greed.

Or just settle here in the softest of moonlight,
and remember you mother's gifting arms,
and know that you are always home as one
and need not do anything
but remember.

for Winnie

I will attempt to tie a few knots in your drifting threads.

DROPS of PAIN

Where are the tears of yesterday’s joy,
and laughter at life memories’ pain?
A man’s pride can endure quick release
in cathartic most public display,
but only in disguising poetry
can I now merge teared soul-seeds
with drops of rain in life’s rebirth.

my friend --
daughter of friendship’s kiss;
but a tree rooted in Mother Earth
and aspiring to spirit’s reach,

within and beyond
reach out through the loom
and pass the shuttle to me.

faucon

Sing a song of pain
Sing to break the stars
Left out in the rain
In jagged, broken jars
That catch the starlight falling
Through the drizzle of the sky
That hear the star song calling
An aching, longing sigh
This pain that glitters brightly
Barbed with star sharp shards
A bobbin wound too tightly
A tumbled house of cards
Mourning for the morning
A radiant light that grieves
Broken at the joining
This pain that never leaves


©Edwina Peterson Cross

What questions beg answers
When answers won’t do
What comes from not knowing
What truly is true
How long can you look
Away from the cause
Pretending the fabric
Is whole with no flaws
Not rent and ripped
Into thousands of shreds
The weave all dismembered
To bare hanging threads
That float, waft and flutter
Without any wind
Reduced down to nothing
Sapped, winnowed and thinned
Material ruined
Bereaved and bereft
More holes now than fabric

Nothing is left


©Edwina Peterson Cross

Blossoms

Blossoms share their lips
with the tender grass,
falling not unlike the scent
of the candle in the alcove
in the chapel...
the candle that flickers
whenever the great doors open
and a shaft of light,
filled with the rain of dust motes,
pierces to the altar.
On the altar there is nothing
but the faint residue
of the priest's palm,
of decades of sweat
and centuries of sweat
from the priests before,
who strove always
to pretend to know,
to have no doubt
about their doubts.
Instead, they were driven to
drink the sacramental wine
to excess or driven into
the sunlight on a spring
or summer day, when nothing
would be acceptable
but the stirring of the leaves
and the reedy song
of a red-winged blackbird,
concerned with its heart-shaped nest,
built from a memory
that the priest did not have
and could never illuminate
except by looking under moon
and starlight
at the pale spears of cattails
pointed toward a vast and crowded night,
in which the ants of stars
move in patterns that reminded everyone
of winter and the coming frost.

Such Nice Boys

Such nice boys,
who murder
in the sun
and rescue
poor kittens by night.
Such nice boys,
dancing in the classical fashion
in between looting
abandoned cars in parking lots.
Studying philosophy as they sit
in the court room on trial
for treason and stealing eggs.
Inventing new forms
of expression in painting,
as they draw a map
that locates the bodies
and the stolen treasure.
Learning Italian, Greek,
and Swahili while passing
counterfeit bills in the churchyard.
Curing scrofula and leprosy,
after drowning the banker and the clerk.
Their treatise
on the nature of good and evil,
written while in solitary
after the prison revolt,
now required reading
in the seminaries of four major religions.
Their recorded songs,
eight volumes that have
embarassed Mozart
and lift the souls of the lost,
are sold in the ruins
of the art museum they burned
to the ground.
Their recipe
for lemon-raisin cake
is a holiday standard
on the anniversary of their
stealing the diamonds
from the Tower of London.

Sunday, May 08, 2005

A pair of Fitz

In response,
and dancing with this theme,
these two Fitz 'fell out'.

Deliberately, I chose to illustrate how the 'title'
can be used to advantage. In the first I started
with a 'quote' and expanded. It came out to 56 words,
so I hyphanated one.

The second was too long, so I took the last lines (above 55 words)
and changed them into a title.

faucon
..............................................................

and Vi Jones said,
"I truly believe
that our shadows are faithful companions
and that one is never alone
as long as one casts a shadow."

'tis true as the sun-life is born at dawn,
and amber real in the death at evening;
but what of noon 'neath the sun's full glory?

What if our bound companion is not gone
but only masked from our perception --
reaching down to the soul of Mother Earth?

Would that I could only see again!

………………………………………………..

Must I venture on alone,
soul seared by the realities of life?


I can be alone, but never lonely
when you are within my heart and all;
or sorrowfully alone within a crowd.
For your laugher, little one -- my love,
cast a joyful shadow on my soul.
In its caress -- divine shade from chaos,
my finest thoughts emerge.

Yet in the darkness of your fear --
so alone!


Phone Call to My Mother

Happy Mother's Day

Telephone

Oh, marvelous magic

Mystical box
Powerful tiny enchanted thing
Cradled in my hand
My fingers brush its surface
Dancing out a secret code
Drumming out a private incantation
Drawing forth the magic
Delivering unseen glamours into the thin bright air
And suddenly...
From out of nothingness...
I conjure you
Invoke your voice from far away
Just by the tappings of my sapient secret spell
I have captured you in the palm of my hand!
And here I will spellbound hold you
And pour out upon you all the happenings of my day
Wrap you in the pages of each book I have read
Bathe you in the sparkles of my children's laughter
Into the tiny box around you I will pack all my loneliness
The sharp jagged pieces of my pain
And you will sing me all smooth again
Disembodied beloved voice
Summoned genie in a box
Marvelous magical mystery box
Powerful tiny enchanted thing
Cradled in my hand


©Edwina Peterson Cross
(From Motherhood, Journey Into Love)

Friday, May 06, 2005

Color Synergy

I love the synergy of building on the thoughts
and poems of others. First we played with green images,
then shadows touching on spirituality,
then color shifts and images ...

Blending them together in a symphony of sorts
let me to this -- hopefully not too metaphysical.

faucon
..................................................

Consider a leaf …
a spring gifted green leaf,
one of jillions that grab and tease
the eye and mem'ried soul.
It is difficult not to see green …
but do you understand it?

You do not see the leaf at all,
but the reflection of light energy
gifted by the sun.
The plant absorbs the rest
called magenta in color compliment,
and transforms it into stored energy
for later life and contemplation.
Thus the essence of a plant
is un-green in truth;
a color shadow of what you see.

In the splendor of fall's death
the green seems to disappear,
but it is only changed in nature
such that it is absorbed by the leaf
and the magenta reflects its soul to us
in gold and rust and amber hues.
By this rebirth cycle we can believe
and ever know of the soul hidden
in the blinding light of day.

Now consider Divinity
and soul, mind and spirit!
Need I go on?
The next time you see stranger
do not be blinded by the reflection
of form and angle and pigmentation;
but imagine the soul you cannot see
but know is truly there by inference.

Here too we are blinded by the Light of God
made manifest in thee and me and all,
while only our soul can perceive
the color shadows of infinity.
Imagine with me a vibration in attention
where all you see is this real soul self,
and the mysterious physical being
is hidden and can only be perceived
by becoming human …

and you ask why you are here.

Masquerade

Let me masquerade
as an ocean,
washing the undisovered
shores of your continent,
thundering on rock,
hissing on sand.
Let me be a broad river,
carrying your burdens
without thought or effort.
Blue in calm weather;
a brown, wild furrow
after rain.
Let me be a blue spring,
rolling out of your land
to surround you
and nourishing thick
stands of green mint.
Let me be a small stream.
So small
you can step across it
in one stride.
But speaking
in the music of falling water.
Let me be cold water
in a blue, metal cup.
A replenishing nectar
on tired days of heat and dust.
Let me be the beads
of condensation
on the blue surface of the cup.
Evidence of compassion in the world.

Tetrachoric Correlation

Shadows and shade, blossom and fade
Dark kindles echos of light
Places will trade, and both must be weighed
The daylight engenders the night

A price to be paid, a card to be played
Incandescent, penumbric and white
A dream that’s betrayed, a hope unafraid
An eclipsing both broken and bright

Manifest and evade, the dichotomy’s laid
The dove and the raven in flight
Unchanging, unmade, in a duel twisted braid
The line between blindness and sight

This dark masquerade, the shine of the blade
The peace that has come here to fight
A split serenade, a curse to be prayed
A wrong unequivocally right


©Edwina Peterson Cross

Wednesday, May 04, 2005

Beyond Shadows

UMBRA

So you understand halos, right --
and other nimbus manifestations,
and have perhaps seen an aura or two?
Well let me tell you that you are wrong!
There is no strange light that emanates
from a celestial being or wantabe's.

What you are perceiving is a hole of sorts
through which divine presence dribbles and leaks
with the coming or transportation of this guest.
This entity, made corporeal by your needs and imagination,
stands between you and the Source -- providing spiritual shade,
with you in the umbra of their passing,
for you are experiencing a
"soul eclipse" --
and in that shadow you may see
eternity and truth.

Why then should it be less with thee and me --
that the profound impact we have on one another
is not in the illumination of wisdom and solutions,
but in the shadows cast that protect us
from a myriad other lanterns
whose combined powerful glare
would be too much to bear.

I may be most powerful
as a shadow of the soul --
and that is nothing,
nothingness at all;
and perhaps light exists
that we might provide loving shade.

faucon

Shadows

Imagine the sadness of shadows.
Their contrite obscurity.
Their tenuous hands
holding cups of coffee.
The feet
that do not seem
to belong to them.
The confusion
in poorly lit rooms
where they meet
for assignations with lamps.
The consideration given to
alternate realities
and to rumors of starlight.
The days stretch
like long rubber bands,
thinning and thinning with the light,
until they snap.
Ephemera.
Each shadow lives
only a day
and is then a seed
planted in the night,
beneath the full moon
for good fortune,
falling onto earth
like a black angel
booted out of the heaven
of sunlight.
Stretching themselves.
Dark dragonflies,
with new wings.

Fitzgeralds'

I got started with Mike’s idea of fog. I then did a sort of ‘Round the Season’s’ in the Rogue Valley thing. It’s an intriguing form Faucon. As always, I’m not sure how well I waltz with form at all, but it was an interesting dance!


Softening Season

In late November
When the burning, dazzling leaves
Are puddled brown underfoot
And the brilliant autumn sky
Has softly sighed grey
The fog comes
Whispering against the hills
Catching in the pines
Leaving shredded cocoons of cotton
Spun out across the mountains face
From across the valley, I smile
My hands cupped around hot tea



False Spring

The blushing warmth of a specious dawning
Smiles shyly in early March
Batting eyelashes, coloring prettily
The valley flushes from slumber
With breath taking radiance
Emerald velvet wicks from the valley floor
Drinking up the umber mountain sides
All are charmed, entranced, spell bound
And then, with the cold slap of betrayal
The rains come



Mountain Metamorphosed


The Cascades of April grow vivid and verdant
Transformed by chlorophyll, translated by green
Into beings bizarre and bright
May begins baking them back to the savanna
They stretch and yawn in the summer sun
Sleepy lions curled around the valley
Purring softly across the bronzed meadows
At the silent, forever-jade of the Siskiyou pines



First Sign of Fall

One hundred degrees in the shade
There is really no point in thinking
Or moving, not much point in breathing
Air that ought to scorch your lungs with shine
Everything is glazed and glinting with the gloss of glass
In the stillness, aspen leaves suddenly tremble
Caught in a north wind
That is whispering . . .
“Gold”

Tuesday, May 03, 2005

Having Fitz

GARDEN FIRE

The bright protected flames flicker
in the caress of approaching night,
and roar in awe of sudden gusting
awareness of the approaching storm.
Strange shadows dance in symmetry
with the strumming of Mother Earth
and the breathing of our garden friends.
Gather close about to sing and dream,
for these torches will warm our hearts.

............................................................

LOVERS

Lovers touch; touch,
and don't touch
in silence calling out to me
through walls of motel drab.
Whispered laughing
loses control too often
as he, then she
teases, and frets
in mumbled claims on the other's needs,
real and imagined ‑‑ by me.
Truth by osmosis should bridge
from theirs to mine,
from whole to lonely.
............................................................

The Crowfoot revered a plant whose flowers are so small they might escape the naked eye, proof that a man must not walk too tall. "What is life? It is the flash of a firefly in the trembling night. It is the little shadow which runs across the grass and loses itself in the sunset

TABLE BLESSING

Close Presence, join us at this simple table.
Help us break bread that is a gift of your grain,
And the toil of honest hand.
Share a toast of pure water that distills from the heavens,
And washes away our fears.
Grant that our friendship here be ever strengthened
By the fruit of your compassion.

.............................................................

Betraying the day

This morning,
fog spiraled
up from the pond
like superstitions.
Spring mists
poured like milk
down the river valley.
Count the humility
within a sparrow
and recite the number
out loud
over cold ashes.
Wear your shoes
like indecision.
Waltz
out the door
so that you may
betray the day.

PRAIN

Perchance to rub a little southing ointment
on the joints that link artists and poets,
I would introduce you to 'Fitzgeralds',
though you may already know,
at least in your soul.

I Fitzgerald is a poetry form popular in Northern California,
that embraces the discipline and exactitude
of a Haiku and Sonnet, but allows much greater
flow of creative inspiration and ease of focus.

The title can be of any length (a way of cheating),
but the body of poem, song, prose, essay, whatever --
must be exactly 55 words long. I recently published
a booklet of 55 of these written for my beloved Emrys.

Here is an example, refelcting on Winnie's poem.

Can Pain be Prayer, My Love?

Oh, that I could sing some joy to the morning!

Pain consumes my sleep.
For those driven down to the Earth,
the mud, by the weight of pain,
can there not be a clearer vision?

Might they not see flowers so small,
with tiny scent so sweet,
that their hearts are gladdened in secret mirth?


faucon

Monday, May 02, 2005

Walking Through It

I could be a paper doll
Joined at each joint
With brads at each bending
So that all the parts would move
At least in one direction

But these brads are heated
Metal red-hot, as if it had been left
In the heart of a fire
So blistering to the touch
That it would scorch fingers
And make the paper crisp and curl

Pain at each bending
Bone deep aching stretched between
For I have been walking
Just walking

I’ll wake tomorrow
With the anguish doubled
Brads burned immobile
Frozen with fire
Bound into angry knots

So I’ll break the static heat rust
On the hinges
Slide them back and forth
Forth and back
Until they move
With a crusted cracking
That rains down ash

I’ll sigh
Stretch
Survive
And I'll

Walk


©Edwina Peterson Cross


FAUCON'S SONG - I couldn't help myself! This isn't even the original painting that I thought of, but rather an entirely new one. Poetry will keep making me paint pictures! Faucon, I hope you don't mind my liberties. I know this will not be the girl you saw, but she is the one I saw when I read your words. The cliffs are like to the ones behind Emerald Pool in Zion National Park. That is where I saw the whole thing happen. Though you can't see the pool in the painting, it is still there!